As trumpeted by the recent Activision earnings report, Hearthstone – Heroes of Warcraft is off to an incredible start with 10 million registered users. Alongside a stable of Blizzard titles, Hearthstone’s launch has helped drive record digital revenues within Activision; 34% of all Activision revenue for the recently completed quarter comes from digital sources. As both a childhood Magic: The Gathering enthusiast and a monetization design consultant, Hearthstone’s release on the iPad has been one of my most anticipated F2P games this year. In a market dominated by a small number of genres, flooded with me-too clones, the game promised a welcomed blend of fresh air, quality and nostalgia.
I spent 20 hours with Hearthstone as both a free and paying player to research this analysis. The game is clearly driving a significant amount of revenue for Blizzard. In the top 5 countries for mobile app revenue, Hearthstone has performed strongly on the top grossing charts over the past seven days with average positions per country of 12 (US), 109 (Japan), 1 (South Korea), 12 (UK) and 8 (Germany) according to App Annie. These are ranks any company would be ecstatic over. The purpose of this report is to analyze the game and suggest features that will help turn Hearthstone into the next member of Activision’s billion-dollar club.
Continue reading Hearthstone – Heroes of Warcraft monetization analysis
On the face of it, one would expect The Collectables to make a big splash on the iOS marketplace. A high-end visual treat from proven developers Crytek built in partnership with mobile powerhouse DeNA. A core-gamer targeting, squad based RTS with a collectable card meta-structure. A feature by Apple upon release. These all sound like the ingredients for success. Yet at the time of writing, the game has failed to crack the top 200 grossing for iPhone or iPad in the US. This analysis seeks to identify issues with the design of The Collectables that contribute to its weak monetization and propose solutions to issues identified.
This analysis is based on 4 hours of play of The Collectables on iPad, spread out over two days. As the game uses a structure of rewarding the player for repeat wins on a level with progressive rewards, I played each level 5 times to get the maximum reward before moving on to the next. I spent my gold bar premium currency only at the very end of my 4 hour session, and only to see what the experience was like. As a player, I did not feel compulsion or need to buy additional card packs during my session.
Continue reading The Collectables monetization analysis
This article originally appeared on GamesIndustry.biz.
I’m 28 minutes into my 4th ever match of League of Legends when it happens. Another player lets me know that I “is noob” and “suck ballz.” Post game, the player antagonizes the chat room saying we are “so fricken bad” and the “worst team ever”. That’s when TwoBigButts comes to our defense, letting the abusive player know they were not so great either and that they should go back to Heroes of Newerth because “we don’t need more toxic players.”
And I was terrible that round. I had 1 kill, 11 deaths and 8 assists in a 40 minute match ending in a miserable defeat. I was roughly 5 hours into learning League of Legends as a complete neophyte to MOBAs and I experienced the oft mentioned toxicity firsthand.
I played 6 more matches and experienced one more act of toxicity. Despite 0 kills, 9 deaths and 13 assists in my 9th game I was not the target of the abusive behavior. One player on my team told another “go kill yourself.” Other than playing against a player named TittyQueef, the toxicity experienced in my first time user experience (FTUE) was much lighter than I was expecting when I started this project.
Continue reading Maturity and immaturity in League of Legends
EA is in a unique position as games publisher with a deep history. Between internally created games and a long history of acquisitions including Origin, Bullfrog, Maxis, Westwood, DICE, BioWare/Pandemic, Mythic and Criterion (just to name a few), the company holds the reins on any number of classic game brands. Like few competitors, any time EA wishes to develop a new game for a given genre or platform, there exists at minimum one IP that can be leveraged as opposed to developing a new brand. Browser-based strategy MMO? Games have been made using both Ultima and Command & Conquer settings. Casual city building game? Sim City is a natural choice, but so are Populous, Theme Park and Theme Hospital. Mobile based infinite runner? Mirror’s Edge, SSX and even Burnout would get the job done. Any time a new category breaks and EA feels the desire to be competitive, there is a reasonable case to be made for taking an existing brand and using it to build hype and awareness in the ever heightening competition for player’s attention and dollars.
EA is the company the internet loves to hate. It is the two time winner of Consumerist’s Worst Company In America. It has made its share of public mistakes as well as releasing its share of incredible games. Over the years, the company has used its stable of intellectual properties in a variety of ways. Although there is always some backlash, the recent release of Dungeon Keeper on iOS and Android has been met with an unprecedented wave of hatred.
Continue reading The demon driving Dungeon Keeper backlash
While preparing for a recent Thanksgiving trip to visit my family in Chicago, I decided to pack a mostly unused Android tablet. Although I purchased the 7” Galaxy Tab for mobile game testing I could easily part with the device given the number of iOS and Android devices I owned. I plotted to load it up with movies, games and a few apps, bring it to my Grandmother in the assisted living home, and see if I could teach a woman who had never owned a personal computer, smart device or email account to use a tablet.
Over the past year and a half that I have worked as a monetization design consultant writing, lecturing and working on F2P games, I have grown to be a vocal, public champion for the business model. Yet teaching my Nana to play games I publicly praise, I saw firsthand how valuable it would be to have an IAP off button.
Continue reading The case for an IAP off button in mobile games